Clark Art Conference on African Art in European Discourse

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WILLIAMSTOWN, Mass. — On Thursday, Oct. 19, and Friday, Oct. 20, the Research and Academic Program at the Clark Art Institute hosts a Clark Conference, The Fetish A(r)t Work: African Objects in the Making of European Art History 1500–1900. 
 
The program begins at 9 am in the Clark's auditorium, located in the Manton Research Center. The program is free and open to the public.
 
According to a press release:
 
The conference brings together scholars across the humanities who examine the making and "invention" of African art in European discourse. Convened by scholar and former Clark Professor Anne Lafont (The School for Advanced Studies in the Social Sciences [EHESS], Paris), this conference delves into diverse writings on African objects and interrogates various orientations that transformed these objects, from ritual artifacts and fetishes to works that circulated on the art market and were held in private collections and public museums. The discussion encompasses global art history, natural history, travel literature, ships' inventories, African geography, comparative religion texts, sales and private collection catalogs, and technical treatises. 
 
Participants include:
 
Anne Lafont (convener), professor
École des hautes études en sciences sociales (EHESS), Paris
 
Jean-Luc Aka-Evy, philosopher and art historian
Congo-Brazzaville
 
Alexander Bevilacqua, associate professor of history
Williams College, Williamstown, Massachusetts
 
Yaëlle Biro, independent scholar and curator
Paris
 
Justin Brown, Samuel H. Kress Predoctoral Fellow
Center for Advanced Study in the Visual Arts, Washington, DC
 
Joshua I. Cohen, associate professor of art history
City College of New York and CUNY Graduate Center, New York 
 
Roberto Conduru, endowed distinguished professor of art history
Southern Methodist University, Dallas, Texas
 
Cécile Fromont, professor of history of art
Yale University, New Haven, Connecticut
 
Gabriele Genge, professor
Institut für Kunst und Kunstwissenschaft, Universität Duisburg-Essen, Germany
 
Simon Gikandi, Robert Schirmer Professor and Chair of English
Princeton University, Princeton, New Jersey
 
Alexandre Girard-Muscagorry, curator
Musée de la Musique (Philharmonie de Paris)
 
Didier Houénoudé
Université d'Abomey-Calavi, Godomey, Benin
 
Daniel H. Leonard, assistant professor
College of Liberal Arts, Temple University, Philadelphia
 
Risham Majeed, associate professor of art, art history, and architecture
Ithaca College, South Hill, New York
 
Lionel Manga, writer and cultural critic
Douala, Cameroon
 
Matthew Francis Rarey, associate professor of African and Black Atlantic art history
Oberlin College, Oberlin, Ohio
 

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Clark Art, Du Bois Freedom Center Host Poetry Reading

WILLIAMSTOWN, Mass. — On Sunday, Oct. 6 at 4 pm, the Clark Art Institute hosts poets Iain Haley Pollock and Nathan McClain in the Manton Research Center auditorium for a free poetry reading.
 
Pollock reads poems from his most recent book, "Ghost, Like a Place," and from a forthcoming collection. McClain, whose poetry has been described as "no-nonsense, meat and potatoes, good gotdam poetry," also reads from his work. The two poets then discuss their stylistic differences and conceptual overlap when it comes to poetry, language, race, and W.E.B. Du Bois's concept of double consciousness. A Q&A and book signing follow the event.
 
Iain Haley Pollock is the author of three poetry collections, "Spit Back a Boy" (2011), "Ghost, Like a Place" (Alice James Books, 2018), and the forthcoming "All the Possible Bodies" (Alice James, September 2025). His poems have appeared in numerous other publications, ranging from American Poetry Review and The Kenyon Review to The New York Times Magazine and The Progressive. Pollock has received several honors for his work including the Cave Canem Poetry Prize, the Alice Fay di Castagnola Award from the Poetry Society of America, a 2023 NYSCA/NYFA Artist Fellowship in Poetry, the Bim Ramke Prize for Poetry from Denver Quarterly, and a nomination for an NAACP Image Award. He directs the MFA Program in Creative Writing at Manhattanville University in Purchase, New York.
 
Nathan McClain is the author of two collections of poetry, "Previously Owned" (Four Way Books, 2022), longlisted for the Massachusetts Book Award, and Scale (Four Way Books, 2017). McClain is a recipient of fellowships from The Frost Place, the Sewanee Writers' Conference, and Bread Loaf Writers' Conference; he is also a Cave Canem fellow. His poems and prose have appeared in The Hopkins Review, Plume Poetry 10, The Common, Guesthouse, and Poetry Northwest, among others. McClain received his MFA from Warren Wilson College. He now teaches at Hampshire College and serves as poetry editor of the Massachusetts Review.
 
Free. Accessible seats available; for information, call 413 458 0524. A Q&A and book signing follow the event. Copies of recent books by Pollock and McClain will be available for purchase at the reading and in the Museum Store. This event is co-organized with the Du Bois Freedom Center, Great Barrington, Massachusetts.
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