Simon's Rock Presents Tongji Philip Qian's Duration of Status

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GREAT BARRINGTON, Mass. – Bard College at Simon's Rock's Hillman-Jackson Gallery presents Tongji Philip Qian's "Duration of Status: Recent works on paper among other things," which showcases primarily works on paper from the past two years such as graphite and pigment marker drawings, etchings, and woodblock prints.
 
Other mediums in the presentation vary, but include leather structures and painted wooden panels. 
 
The artist describes this two-gallery project with the following statement: 
 
"I am more interested in duration and efficiency rather than time and productivity. I think I know when to not create work, and I make sure I do not. Once a sense of urgency emerges, wherever it may come from, I know what to do."
 
According to a press release:
 
As a Chinese artist living and working in the United States, Tongji Philip Qian is intrigued by the juxtaposition between "America" and "elsewhere." His works attempt to earn his membership in this country following movements commonly associated with Conceptualism and Post-Minimalism while anchoring a distance that recalls his identity as a foreign-born artist. In fact, he borrows the title of this exhibition, Duration of Status, from entry stamps issued by the United States Customs and Border Protection Officials. "Duration of status" is an immigration vocabulary, indicating that the person is legal as long as their paperwork remain accurate and unexpired.
 
To Tongji Philip Qian, "duration of status" is a parameter he must follow to maintain lawful presence in the United States, but it also informs a useful framework to delimit his projects. For instance, he made some drawings in the show while timing himself in segments of 4 minutes and 33 seconds. Or, he invited his significant others, namely his partner Ada and furry companion Grappa, to dance on coated etching plates with a popular Chinese pop song called "Compendium of Materia Medica." Or, he placed vegetable-tanned leather al fresco so the sun could darken specific areas. These parameters provided the artist with moments of confluence, paradox, and perhaps renewed relations with himself and the world at large. 
 
Tongji Philip Qian was born in Shanghai, China. He received BAs in art history and mathematics from Carleton College, and an MFA from the Rhode Island School of Design. He chairs the Art Department at Bard Early College, Washington, D.C., and enjoys his frequent trips to the Hudson Valley.
 
"Duration of Status" is on view from February 3- March 31, 2023. 
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A Thousand Flock to Designer Showcase Fundraiser at Cassilis Farm

By Brittany PolitoiBerkshires Staff

NEW MARLBOROUGH, Mass. — More than a thousand visitors toured the decked-out halls of Cassilis Farm last month in support of the affordable housing development.

Construct Inc. held its first Designer Showcase exhibition in the Gilded Age estate throughout June, showcasing over a dozen creatives' work through temporary room transformations themed to "Nature in the Berkshires."  The event supported the nonprofit's effort to convert the property into 11 affordable housing units.

"Part of our real interest in doing this is it really gives folks a chance to have a different picture of what affordable housing can be," Construct's Executive Director Jane Ralph said.

"The stereotypes we all have in our minds are not what it ever really is and this is clearly something very different so it's a great opportunity to restore a house that means so much to so many in this community, and many of those folks have come, for another purpose that's really somewhat in line with some of the things it's been used for in the past."

"It can be done, and done well," Project Manager Nichole Dupont commented.  She was repeatedly told that this was the highlight of the Berkshire summer and said that involved so many people from so many different sectors.

"The designers were exceptional to work with. They fully embraced the theme "Nature in the Berkshires" and brought their creative vision and so much hard work to the showhouse. As the rooms began to take shape in early April, I was floored by the detail, research, and vendor engagement that each brought to the table. The same can be said for the landscape artists and the local artists who displayed their work in the gallery space," she reported.  

"Everyone's feedback throughout the process was invaluable, and they shared resources and elbow grease to put it together beautifully."

More than 100 volunteers helped the showcase come to fruition, and "the whole while, through the cold weather, the seemingly endless pivots, they never lost sight of what the showhouse was about and that Cassilis Farm would eventually be home to Berkshire workers and families."

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