Competitive Course Record Set in Mass Am at Taconic Golf Club

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WILLIAMSTOWN, Mass.  — It didn’t take long for memories to be made and records to be broken at the 108th Massachusetts Amateur Championship.
 
During round one of the Massachusetts Golf Association’s marquee amateur event, Jake Shuman (Blue Hill CC) fired a competitive course record score of 7-under par 64 to set the pace at Taconic Golf Club.
 
Shuman, a rising junior at Duke University, carded seven birdies and zero bogies on Monday to post a score that is three strokes better than the course record previously held by Bill Hadden and set during the 2016 club championship.
 
“Controlling the trajectory and distance is huge on these greens,” said Shuman, who was named to the 2015-16 All-ACC Academic Team. “There is so much slope in them. I didn’t make a birdie putt over 10 feet today. Everything was inside of that, so it speaks to the ball-striking side of today.”
 
Among golfers of local interest, Robert Linn (Berkshire Hills) carded a plus-4 round of 75 to tie for 42nd in the 144-player field. Jake Mahoney of Greenock in Lee carded an 8-over 79, and Forest Park’s Chad Alibozek finished the first round at plus-11 82.
 
Stroke play concludes with Round 2 on Tuesday starting at 7:30 a.m. The low 32 move on to match play with two rounds on Wednesday, the quarter-finals and semi-finals on Thursday and the 36-hole final on Friday.
 
On Monday, Shuman found an early rhythm and a clear comfort level on the historic Williamstown layout that was originally designed in 1927 by Wayne Stiles of Stiles & Van Cleek and renovated in 2009 by renowned golf course architect Gil Hanse of Hanse Golf Course Design, Inc.
 
On his first hole of the day – the 470-yard, par 5 1st hole – Shuman found the green with a mid-iron approach to set up a two-putt birdie. Two solid wedge shots on the 6th and 7th holes led to birdies and allowed Shuman to make the turn at 3-under par 32.
 
He continued his stellar play on the back nine which featured the three hardest playing holes on this day. Shuman played his final nine holes at 4-under par.
 
“When I got out of position, I made a couple of good eight-foot par putts which was great,” said Shuman. “I have been working hard with my coach [Brendan Walsh, head golf pro at The Country Club] and it worked out today.”
 
Shuman was also quick to credit the two competitors he was paired with on Monday, who are very familiar faces to the Needham native. After all, Shuman, Patrick Frodigh (Dedham C&PC) and Peter French (Maplegate CC) grew up playing the New England junior circuit.
 
“Playing with Peter and Patrick made it a pretty easy going day for us,” said Shuman. “It felt like a tournament but lower key because I know them and don’t have to go through the whole ‘Who are you?’ kind of thing. It was fun.”
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Clark Art Lecture On Queer Art And Artists in Medieval Europe

WILLIAMSTOWN, Mass. — On Tuesday, April 11, the Clark Art Institute's Research and Academic Program presents a talk by Karl Whittington (The Ohio State University) titled "Queer Making: Artists and Desire in Medieval Europe."

This free event takes place at 5:30 pm in the Manton Research Center auditorium.

According to a press release: 

Whittington asks: what role does desire play in the making of art objects? Art historians typically answer this question with reference to historical evidence about an artist's sexual identity, personality, and relationships, or with reference to particular kinds of imagery in works of art. But how do we think about desire in the case of anonymous artists or in works whose subject matter is mainstream? We know little about the lives and personalities of the makers of most works of art in Europe in the Middle Ages, but this should not hold us back from thinking about their embodied experience. This talk argues that we can "queer" the works of anonymous historical makers by thinking not about their identities or about the subject matter of their artworks but rather about their embodied experiences working with materials. Through considering issues of touch, pressure and gesture across materials such as wood, stone, ivory, wax, cloth, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Combining historical evidence with more speculative description, this talk broadens our understanding of the motivations and experiences of premodern artists.

Free. Accessible seats available; for information, call 413 458 0524. A 5 pm reception in the Manton Research Center reading room precedes the event. For more information, visit clarkart.edu/events

 

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