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The interior courtyard next to Building 6 is being prepped for a soundstage and lighting for some of the 14 acts appearing at the Solid Sound Festival.

Mass MoCA Looking Toward Solid Future

By Tammy DanielsiBerkshires Staff
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MoCA Director Joseph C. Thompson, second from left, tells Councilors Alan Marden, left, Keith Bona and Lisa Blackmer, and Commission members Gail and Phil Sellers about tentative plans for the empty foundation off West Main Street.
NORTH ADAMS, Mass. — Massachusetts Museum of Contemporary Art is a sprawling complex covering 13 acres in the heart of the city.

The former Sprague Electric mill and its old research and development division are part of a mix of gallery, educational, commercial and public spaces that adds up to some 600,000 square feet. It draws upwards of 120,000 visitors a year.

"Last year was the best year ever, just shy of 140,000," said Director Joseph Thompson recently of the 11-year-old museum. "It had been more like 105,000 to 110,000. When we first opened, this was a weekend and summer business. That has shifted for reasons I don't frankly know."

Some 300 to 500 people can now be found in the galleries during the week at anytime of the year, with 700 to 900 on the weekends. It's welcome news for a venue that has been struggling for years.

A few weeks ago, several city councilors toured sections of the complex as part of an ongoing look into the workings of the city's departments by the Public Services Committee headed by City Councilor Keith Bona. Also on the tour were committee member Councilor Alan Marden, Councilor Lisa Blackmer and Gail and Phil Sellers, newly appointed members of the Mass MoCA Cultural Development Commission.



Fast Facts:
► 4,000 tons of asbestos and hazardous materials were removed from the site
► There is a total 600,000 square feet of space; about 75 percent has been revamped.
► A C3 report in 2007 found the museum generated $17 million in economic impact

► MoCA has 120,000 square feet of commercial space
► It has about a $6 million budget and more than 100,000 visitors a year.
The commission oversees the commercial leasing and development of the complex, which is owned by the city and leased back to the museum through the Mass MoCA Foundation.

Thompson, who was instrumental in the museum's development, said it has four main parts: Galleries, performance space, commercial space and elements outside the main buildings.

It opened with some 200,000 square feet of museum space and nearly 60,000 in commercial space; those numbers are now 320,000 and 120,000, respectively. There is still another 160,000 square feet of undeveloped space, most of it in Building 6.

The state leases the former research and development building across from the main complex on Marshall Street for the Northern Berkshire District Court. That will soon be joined by the Social Security office, which is currently on Main Street. In the main complex, renters include two law firms, a photography studio, consulting firms, software designers, publishers, two dining establishments and an antiques shop. The Clark Art Institute is leasing space in the front buildings but has not yet determined their final use.


The main stage will be in front of the building in the background.

The former power plant cost $1 million to clean up and will house a sound artwork.  The museum is planning a biomass generator along with the already installed solar panels to provide heat and power.
The most talked-about addition, however, is the three-story semi-permanent retrospective of the late Sol Lewitt that has drawn critical acclaim and a boost in visitors. Another building — once a three-story structure now reduced to a open-air concrete foundation easily seen from Route 2, is being considered as a space for a similar, semi-permanent retrospective.

Thompson said he'd like to see the museum grounds integrated better into the city, such as having the proposed bike path loop from West Main Street through the grounds and out toward Williamstown and creating green space within the complex.

But the main focus right now is gearing up for the Solid Sound Festival coming this Aug. 13-15. Up to 8,000 people are expected with more than half the tickets for the three-day festival already sold. Thompson said MoCA is using the Web to keep concertgoers informed and updated on where to go, where to stay and where, especially, to park. Lots will be set up at the former North Adams Plaza and the industrial park, among other sites, and visitors will be shuttled into the city.

Still, he expects many will try to make their way downtown in hopes of scoring a closer spot. The museum is working closely with the public safety officials to coordinate with security and traffic. Bona suggested that police be "gentle" in ticketing, possibly even handing out coupons to local venues along with citations.

Some 2,000 to 2,500 people are expected to arrive Friday night when local band The Books takes the stage. "They have a great following, last year they drew 800 for just one performance here," said Thomas.

"Scanning and banding" will take place just outside the lobby and people will be directed into the interior courtyards for other acts, such as comedians and bands, and for food vendors. MoCA is going out of its way to let potential museumgoers know that it wouldn't be the best time to visit. "If you love art and want a quiet time in the galleries this is not the weekend for you," he said. "But we are still expecting 200 to 300 in the galleries."


Kidspace features five artists' takes on 'You Art What You Eat.'
The main stage where Wilco will perform Saturday night and Sunday afternoon is a grassy glade next to the train tracks. The museum foundation exercised its option on a small section of the parcel owned by Great American Financial Resources Inc. (Sprague) on May 26 for $1 to allow for prepping the field.

Thompson said the average age of the concertgoers is 35 to 55 and they're mostly from metro Boston or Albany, N.Y. The city is in a position to take advantage of the influx of visitors and, if it should prove successful, more festivals in the future.

The tour also included the Hunter Theater, performance spaces and dressing rooms, and ended in Kidspace, one of the most popular parts of the museum and a collaboration with the Clark and Williams College Museum of Art. Hundreds of area schoolchildren have participated in programs at Kidspace over the years.

"Of all the things we do that make a lasting, meaningful contribution, this is it," said Thompson.
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BAAMS Brass and Vocals Workshop

NORTH ADAMS, Mass. — The Berkshires Academy of Arts & Music Studies (BAAMS) will hold trombone and brass, and vocals workshop featuring Steve Davis and Abena Koomson-Davis. 
 
This opportunity will take place at the BAAMS academy in North Adams, MA, located at Building 6 in the Heritage State Park on Saturday, May 18, from 11 am to 1:30 pm.
 
Register here.
 
Steve Davis is a highly esteemed trombonist known for his exceptional contributions to jazz music. With a background that includes graduating from The Hartt School's Jackie McLean Institute of Jazz in '89, Davis has made significant waves in the music scene. He has collaborated with jazz legends such as Art Blakey, Chick Corea, and Freddie Hubbard, among others. His extensive discography and performances at prestigious venues worldwide underscore his mastery of the trombone and his enduring influence in the jazz genre.
 
Abena Koomson-Davis, an accomplished vocalist, educator, and performer, will also be part of this workshop. Her versatile musical background encompasses jazz, afrobeat, and choral singing, showcased through performances with Stevie Wonder, Carly Simon, and Natalie Merchant, to name a few. Abena's role as the lead vocalist of Van Davis and her contributions to the Resistance Revival Chorus highlight her multifaceted musical journey and dedication to her craft.
 
The workshop, open to ages 10 and up, offers a chance for aspiring musicians to learn from these industry stalwarts. The tuition fee is $40, with BAAMS matriculated students eligible for free attendance. Participants are encouraged to bring their trombones or brass instruments.
 
Additionally, musicians like Richard Boulger, Dario Boente, Tony Lewis, and Alex Blake on the same day. 
 
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