Steps Off The Beaten Path Exhibition Opens With Lecture

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WILLIAMSTOWN, Mass. - Through 100 photographs taken between 1850 and 1880, the exhibition Steps off the Beaten Path: Nineteenth-Century Photographs of Rome and its Environs encourages a "walking tour" through Rome with recognizable sites among the out-of-the-way scenes nineteenth-century Romans and Europeans encountered in their daily lives.

The exhibition opens at the Sterling and Francine Clark Art Institute on Sunday, October 11. Ralph Lieberman, architectural historian, photographer, and guest curator of Steps off the Beaten Path, will discuss the exhibition with collector Bruce Lundberg and architectural historian John Pinto on October 11, at 3 pm. Admission to this opening lecture is free.

Steps off the Beaten Path was first presented at the American Academy in New York and Rome between 2006 and 2008, and draws works from the Collection of W. Bruce and Delaney H. Lundberg. The project was curated by Lundberg and Pinto. Jay A. Clarke, the Clark's Manton Curator of Prints, Drawings, and Photographs, worked with Lieberman, guest curator for the Clark presentation.

Lieberman is an art historian and a photographer of architecture and sculpture. He spent many years living and working in Venice, first on a Fulbright grant, and then for several years on fellowships from the Kress Foundation, New York University, and the Committee for the Rescue of Italian Art, which was founded after the 1966 floods in Florence and Venice. His Renaissance Architecture in Venice, entirely illustrated with his own photographs, appeared in 1982.

Since 1983 he has lived in the Berkshires, dividing his time between teaching and photography. He taught art history and architecture at many places, including Williams College and the Rhode Island School of Design. His art-historical photographs are in study collections at Harvard, the National Gallery in Washington, the Frick Collection, the Clark, and the Getty Museum as well as the major art-history libraries in Rome, Florence, Venice, and Munich.


Dr. Lundberg and his wife Delaney have been collecting photographs since 1970 focusing on nineteenth-century images and early photographic processes. They have largely collected paper photography related to Italy, and American daguerreotypes including images of the Gold Rush. Parts of their daguerreotype collection have been displayed at the Smithsonian, the Oakland Museum, the Metropolitan Museum of Art, and the Getty Museum. The Italian images have been shown in Munich at the Stadtmuseum, and at the Musee d'Orsay in Paris. Lundberg is on the Visiting Committee of the Department of Photography at the Metropolitan Museum of Art in New York, and is a founding member of the Daguerrian Society.

Pinto co-curated the original Steps off the Beaten Path exhibition for the American Academy in Rome in 2007. He is the Howard Crosby Butler Memorial Professor of Art and Archaeology at Princeton University's Department of Art and Archaeology. A Fellow of the American Academy in Rome, Pinto's research interests center on architecture, urbanism, and landscape in Rome, especially in the eighteenth century. Among his publications are The Trevi Fountain (1986) and Hadrian's Villa and its Legacy (1995), the latter co-authored by William L. MacDonald. At Princeton Pinto offers courses on garden history, Renaissance, and Baroque architecture, and Rome as a center of artistic production through the ages. His recent publications include Pietro Bracci and Eighteenth-Century Rome, Drawings for Architecture and Sculpture in the Canadian Centre for Architecture and other Collection with Elisabeth Kieven (2001).

Technical innovations, artistic daring, and shifting socio-political circumstances led to a dramatic change in the photography of Rome in the late nineteenth century. Photographers of the Eternal City began to capture everyday scenes alongside ancient ruins, Baroque churches, and backstreets on the verge of being transformed by industrialization. Through the images in Steps off the Beaten Path viewers today can step into a Rome that was about to step out of the pre-industrial age. The exhibition is on view at the Clark October 11, 2009, through January 3, 2010.

The Clark is located at 225 South Street in Williamstown, Massachusetts. The galleries are open Tuesday through Sunday, 10 am to 5 pm (open daily in July and August). Admission June 1 through October 31 is $12.50 for adults, free for children 18 and younger, members, and students with valid ID. Admission is free November through May. For more information, call 413-458-2303 or visit clarkart.edu.
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Williamstown Board Opts to Negotiate with College on Water St. Lot

By Stephen DravisiBerkshires Staff

Newly elected board member Nate Budington, far left, participates in his first in-person meeting along with, from left, Matt Neely, Stephanie Boyd, Peter Beck, Shana Dixon and Town Manager Robert Menicocci.
WILLIAMSTOWN, Mass. — The Select Board on Monday decided to enter into negotiations with Williams College on the sale of the vacant town-owned lot at 59 Water St.
 
But the board members made it clear that the college's proposal to acquire the lot is a starting point, not a final deal that the elected officials would accept.
 
"For the sake of continued conversation, I'm in favor of [awarding Williams the site], but if this process wasn't continued with the opportunity for further negotiation, I wouldn't vote to continue this," Peter Beck said. "I think that next step is necessary for us to get to a yes on this."
 
"I think there's wide agreement on that," Matthew Neely said just before the 5-0 vote to enter talks with the college.
 
Williams was the sole respondent to a town-issued request for proposals to develop the former town garage site, currently a dirt lot.
 
The college's stated intent is to build a new Facilities office and create up to 170 parking spaces at 59 Water Street. That use will allow the college to redevelop the current Facilities building site and parking lot as part of a reconception of the school's indoor athletic and recreation facilities.
 
Under the terms of the RFP, the college's proposal was subjected to review by an ad hoc advisory committee to the town manager, who brought the question to the Select Board. That board will have the final say on any purchase and sales agreement.
 
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