The Chinese opens at the Williams College Museum of Art

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Liu Zheng: The Chinese opens at the Williams College Museum of Art, this Saturday, November 15, 2008.

I am attracted to the more unhappy, tragic elements of Chinese society and culture. I believe that Chinese culture and history are riddled with tragedy, difficulty, and bitterness. The heavy weight of this cultural heritage makes it difficult for many Chinese to achieve a bit of comfort and happiness in life.  - Liu Zheng

On view through April 26, 2009, The Chinese features 120 photographs taken by Liu Zheng (Chinese, b. 1969) over a seven-year period. In a style that combines the ambition of August Sander with the vision of Diane Arbus, Liu set out to create an epic photographic representation of life in China. The Williams College Museum of Art is the only museum in the world to have all 120 photographs of Liu’s completed magnum opus and this is the first time they will be on view for the public.
 
This work reflects a time of dizzying modernization in China’s history. The nation had recently reversed the economic policies of communism in favor of free trade with the rest of the world. Millions of people formally employed in agrarian businesses moved to cities and industrial jobs. Individual income rose exponentially year after year. Old neighborhoods were destroyed to make room for the construction of new buildings.
 
Liu traveled constantly during this period. What seemed most significant to him were those stories lurking in the shadows of China’s economic turnaround. He avoided overt images of the “new China,” such as high-rise apartment buildings in Beijing or ultra-modern industrial complexes. Instead, he focused on people: priests, drug dealers, miners, prisoners, strippers, transvestites, beggars, people living with physical or mental challenges, the infirmed, the dying, and the dead.

 
Liu Zheng: The Chinese complements three, related exhibitions currently on view at the museum:

-Beyond the Familiar: Photography and the Construction of Community
-Fiona Tan: Countenance
-Independent Film and Ethnography

This exhibition was organized by John Stomberg, Deputy Director and Chief Curator, with curatorial and research assistance from Williams College graduate students in art history: Aimee Hirz ’07 , Tianyue Jiang ’08, and Yao Wu ’07.
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Williamstown Planning Board Narrowing in on Subdivision Bylaw Changes

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — The Planning Board late last month discussed specific features of what it plans to pass as a new subdivision control bylaw this year.
 
The board long has discussed the complex set of regulations as being out of date and cumbersome to both potential developers and the board itself, which has needed to hear requests for waivers of outdated rules for the handful of residential subdivisions that have been proposed in town in recent years.
 
This spring, the town engaged consultants from Northampton's Dodson and Flinker Landscape Architecture and Planning to go through the existing bylaw, compare it to more contemporary regulations in other communities and help craft a revised bylaw.
 
Unlike the zoning bylaw, where amendments require approval of town meeting, the subdivision control bylaw is a creation of the Planning Board, which can make changes on its own after a public hearing process it hopes to complete this year.
 
At a special Planning Board meeting on May 26, Dillon Sussman of Dodson and Flinker and his colleagues walked the board through a dozen different decision points that the board must resolve — either by leaving the bylaw as is or making a change — and offered suggestions based on best practices.
 
All of the issues are technical and ranged from the fundamental, like how the bylaw will define types of subdivisions, to the highly specific, like what turning radii will be required in new streets that are constructed to serve planned developments.
 
One example of a topic that came up in the recent approval of a four-home subdivision off Summer Street is stormwater management.
 
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