Collector: Hitler Photo Marks War's Start

By Tammy Daniels06:39PM / Saturday, September 22, 2007Print Story | Email Story

This photo is believed to have been taken days before the start of World War II. Hitler is at right.

NORTH ADAMS - A bunch of sour-faced men in suits in a grainy black and white photo are standing around another who is gesturing excitedly, his right hand a blur of white. Some stand with their arms crossed, others with their hands in their pockets. It's an unremarkable snapshot but for Darrell K. English it's the smoking gun, the most incriminating photo of the 20th century. "I equate this with someone being in Ford's Theater, with a camera, the night Lincoln was shot," said English on Friday. Why? Because when you look closely at the picture you realize that the man who's gesturing is Adolf Hitler and those surrounding him, his notorious henchmen. English says the photograph was taken Aug. 22, 1939 - 10 days before the invasion of Poland. Essentially, it's the day World War II began in Europe, the day that Hitler called his commanders to his mountain retreat, the Berghof, to tell them that months of German maneuvering and mobilizing were about to unleashed on Europe. "We know when it was taken, we know what was said during that meeting," said English. "Now we have an actual photograph of the actual date and the actual happening." The story goes that this was where Hitler made his infamous remark "Who, after all, speaks today of the annihilation of the Armenians?" when speaking of the coming destruction of the Polish people. While most historians discount that remark, it is a fact that an all-day meeting was held Aug. 22, 1939, between Hitler and his commanders detailing the invasion. "Basically, he's saying, 'we're invading Poland in 10 days and my Death's Head units have been given the orders to kill every man, woman and child," said English. This is beginning of the end for the more than 50 million people who would die in the war and the Holocaust, he said. Hitler had just received word that Josef Stalin was agreeable to a nonagression pact, which would be signed two days later. The pact cleared the way for Germany to invade Poland and divide it and neighboring countries with the Soviet Union. The treaty would stand until June 22, 1941, when Germany invaded the Soviet Union. English said the men in the room can be matched with records of the meeting. Among them are rarely photographed Gestapo head Heinrich Mueller, SS leader Walter Schellenberg and Chief of Staff Martin Boorman. The photograph was taken by Heinrich Hoffmann, the Fuehrer's favorite photographer. His personal stamp is on the back along another in German of "not for publication." The mark 44 03/28 is written, possibly a index number, said English. A penned scrawl across the back says it was found in a house on the German border. English has had the photo for eight or nine years; he got it from someone in the National Security Agency who, in turn, got it from another intelligence officer. He also has a "what if" picture, also taken by Hoffmann, of Hitler with his savior, Ulrich Graf. Graf, his bodyguard in the early 1920s, took nearly a dozen slugs meant for Hitler in the Beer Hall Pustch of 1923. He survived the shooting and died in 1960. "What if he'd been too slow?" mulled English. "The world would have been different." The photo was picked up by a GI sometime after the war. On the back it says, "Hitler's dead. Don't know where Graf is but I'm living in his house. Not bad." English is a well-known collector of World War II-era materials; his collection has appeared in numerous books, magazines and exhibitions, including the annual Holocaust exhibit at Clarksburg School and in the recent WGBY documentary "From the Factories to the Front Lines: Our Stories of World War II." The WGBY documentary was made as a local aspect of Ken Burns' seven-hour documentary "The War," premiering on PBS stations on Sunday night. English is hoping the Burns documentary will do for World War II what his "Civil War" did for that era - spark a renewed interest in an important period of American history. And he's hoping that interest will be a catalyst in helping found a museum for the thousands of posters, pictures, uniforms, badges, letters, weapons, etc., in his possession. "People ask me all the time what I have in my collection," he said. "I tell them, if I told you, you wouldn't believe me." English feels he's a custodian of the historical artifacts in his possession, and that they should be placed where others can see them and where they can be used in research. It's to keep alive the experiences of those who lived through that era and to make sure they are not forgotten by the next generation, he said. Meanwhile, the photograph of Hitler at the war's start will rest in its Plexiglass holder, tucked away until a permanent place can be found for it. "It's chilling when you realize what you're looking at," said English. "This is as close to pure evil as you're going to get. These guys all sat here and plotted this whole thing out. You don't get much more dramatic than that."

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Very interesting article! Since the iBerkshires journalist goes on to wrongly state that â€œmost historians discount [Hitlerâ€™s] remark [about the Armenian annihilation]â€ - referring only to a small number of historians who discount the remark in order to discount the Armenian Genocide - it is worth to note that Hitlerâ€™s Aug 22 speech is not the only time when he talks of the extermination of the Armenians. Eight years prior to the 1939 speech, the editor of â€œLeipziger Neueste Nachrichterâ€ R. Breiting had two secret interviews with Hitler. In one of the two interviews, Hitler said, â€œWe intend to introduce a great resettlement policy; we do not whish to go on each otherâ€™s toes in Germany. In 1923 little Greece could resettle a million men. Think of the biblical deportations and the massacres of the middle Ages and remember the extermination of the Armenians.â€ So while there is no available empirical proof - such as a tape - of Hitlerâ€™s 1939 speech to prove beyond a reasonable doubt that Hitler referred to the annihilation of the Armenians ten days before invading Poland, the 1931 interview with Breiting is an unquestionable fact that Hitler did refer to the impunity of the Armenian genocide. The fact that a photograph from the 1939 speech exists, nevertheless, gives hope that it might have been taped as well. This reminds me what David Davidian, an Armenian activist, told an online group several months ago. In the 1980s Davidian was approached by a CIA agent who told him there was a tape of the 1939 Hitler speech in Israel which is not released by the Israeli government.
from: Blogian[dot]net	on: 09-23-2007 12:00AM I Agree (0) - I Disagree (0)

There is no authoritative proof that Hitler made the comment about the Armenian genocide at that particular meeting, nor is there proof he didn't. The phrase appeared in a New York Times article a year after the meeting, reportedly leaked by an attendee. However, many historians, such as William Shirer, have approached the phrasing cautiously. No matter what he said, Hitler's actions were clear.
from: Editor's note:	on: 09-23-2007 12:00AM I Agree (0) - I Disagree (0)

This was a very interesting article. Thanks.
from: Wendy	on: 10-01-2007 12:00AM I Agree (0) - I Disagree (0)

My family has two volumes 8 and 15 which contain a history and many original photographs of Hitler and his progress from 1922 to 1943. We are looking for someone who might possibly know of other volumes for this set? These came from Germany during the ware. They were obtained in an unknown manner, but have been kept safe throughout the years.
from: Carla Lapp	on: 10-01-2007 12:00AM I Agree (0) - I Disagree (0)

someone should talk to this man about setting up a museum???
from: bob	on: 10-05-2007 12:00AM I Agree (0) - I Disagree (0)

About a museum for English: http://www.iberkshires.com/story.php?story_id=24020
from:	on: 10-05-2007 12:00AM I Agree (0) - I Disagree (0)

I have some items my dad came back from ww2 with.I would like Mr.English to look at,how do I go about getting this information to him??Thanks Mary
from: mary p.wilson	on: 10-10-2007 12:00AM I Agree (0) - I Disagree (0)

i was wondering how do i get ahold of mr english i too have a orginal 5x7 photo of hitler with markings on the back which i was hopeing he could tell me what they ment. n-jamison@hotmail.com
from: nicole	on: 11-14-2007 12:00AM I Agree (0) - I Disagree (0)

Does anyone know of any sons or nephews or family in Romania circa World War 2 that Ulrich Graf may have or had?
from: David	on: 12-21-2008 12:00AM I Agree (0) - I Disagree (0)

i have spy pictures of hitlers house and gornings house durning the war i was trying to see if they were worth anything my email is kevinbouchillon@yahoo.com if anyone knows anything about it email me
from: kevin	on: 01-06-2009 12:00AM I Agree (0) - I Disagree (0)

I have read your article! Most interesting - we have a painting of Hitler's House - not sure who the artist is! Perhpas Hitler - himself! It is a canvas - do you know who we could have inspect it? Let us know
from: brian van rheede	on: 05-18-2009 12:00AM I Agree (0) - I Disagree (0)

Anyone needing to get in tuch with me may do so at squarecompass.al6006@yahoo.com
from: Darrell Keith-Thomas English	on: 11-28-2010 10:18AM I Agree (0) - I Disagree (0)

Weekend Outlook: Bazaars, First Friday and Day of the Dead

By Sabrina DammsiBerkshires Staff
12:10PM / Thursday, October 31, 2024

There are several events this weekend, including first friday activities, live music, and more. See trick-or-treating times for Thursday here.

Editor's Pick

First Sunday Free: Frame and Reframe

The Clark Art Institute, Williamstown

Time: 1 to 4 p.m.

The museum is hosting a First Sunday Free event focused on the role of frames in art.

Participants can explore the galleries with a viewfinder, decorate a frame, and join discussions led by Hugh Glover, former conservator at the Williamstown and Atlanta Art Conservation Center.

The discussions will cover various styles and materials of select French frames from the Clark's collection, spanning 150 years, aiming to change perceptions of art.

More information here.

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