Pianist Seymour Lipkin at Williams College

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WILLIAMSTOWN, Mass. - The Williams College Department of Music presents virtuoso Seymour Lipkin in a Bösendorfer Concert on Monday, Nov. 30, at 8 p.m. in Chapin Hall on the Williams College campus. He will also provide a master class for Williams College students on Tuesday, Dec. 1, at 4:15 p.m. in Brooks Rogers Recital Hall.

These free events are open to the public and do not require tickets.

Listeners of this concert and participants in Mr. Lipkin’s master class have the rare opportunity to share the music of a man whose career and experience encompass an entire era of classical music. It is difficult to say what aspect of his life’s work is most remarkable or most impressive: his work as a concert pianist, having performed, for instance, with the major symphony orchestras of Boston, New York, Cleveland, Philadelphia and Chicago, or as an educator presently with the Curtis Institute and Juilliard, or as a conductor serving as the New York Philharmonic's assistant conductor, and  Music Director of the Long Island Symphony from 1963 to 1979, as well as the Joffrey Ballet company from 1966 to 1979.

It is customary to drop names when introducing an artist of this caliber and with these credentials, but Mr. Lipkin is one of the few musicians for whom this is not just a gratuitous exercise. A student of Rudolf Serkin and Mieczyslaw Horszowski at the Curtis Institute of Music, Mr. Lipkin won the prestigious Rachmaninoff competition at age 20. Conductors with whom he has collaborated include Serge Koussevitzky, Fritz Reiner, Charles Munch, Leonard Bernstein, Eugene Ormandy, William Steinberg, George Szell, and Christoph von Dohnanyi, and more recently with Kenneth Schermerhorn, Gerard Schwarz and George Cleve.

Extremely active in chamber music, since 1988 he has been artistic director of the Kneisel Hall Chamber Music Festival; he has performed with Jascha Heifetz (60 concert tour), Oscar Shumsky, Uto Ughi, Arnold Steinhardt, Aaron Rosand, William Primrose, David Soyer and Lawrence Lesser, and toured the U.S., Europe and South America with the Guarneri Quartet. He performed a ten city European tour with the Juilliard String Quartet in 1999 and appeared again with them at the Library of Congress in 2001. He has recorded sonatas with Shumsky, Rosand and Steinhardt (complete duos of Schubert).

He performs in Chapin Hall on the 9’ Bösendorfer concert grand piano in a program that reflects his devotion to chamber music. Featured works include the Sonata in A-flat major, Hob. XVI/46 by Haydn, Beethoven: Sonata No. 23 in F Minor, opus 57, “Appassionata”, Chopin: Barcarolle in F-sharp Major, opus 60; Rachmaninoff: Variations on a theme by Corelli, opus 42, Two Etudes by Debussy, and Liszt: Hungarian Rhapsody No. 15 in A Minor, S. 244, “Rakoczy March”.
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Williamstown Planning Board Narrowing in on Subdivision Bylaw Changes

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — The Planning Board late last month discussed specific features of what it plans to pass as a new subdivision control bylaw this year.
 
The board long has discussed the complex set of regulations as being out of date and cumbersome to both potential developers and the board itself, which has needed to hear requests for waivers of outdated rules for the handful of residential subdivisions that have been proposed in town in recent years.
 
This spring, the town engaged consultants from Northampton's Dodson and Flinker Landscape Architecture and Planning to go through the existing bylaw, compare it to more contemporary regulations in other communities and help craft a revised bylaw.
 
Unlike the zoning bylaw, where amendments require approval of town meeting, the subdivision control bylaw is a creation of the Planning Board, which can make changes on its own after a public hearing process it hopes to complete this year.
 
At a special Planning Board meeting on May 26, Dillon Sussman of Dodson and Flinker and his colleagues walked the board through a dozen different decision points that the board must resolve — either by leaving the bylaw as is or making a change — and offered suggestions based on best practices.
 
All of the issues are technical and ranged from the fundamental, like how the bylaw will define types of subdivisions, to the highly specific, like what turning radii will be required in new streets that are constructed to serve planned developments.
 
One example of a topic that came up in the recent approval of a four-home subdivision off Summer Street is stormwater management.
 
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